THE ONLY TIME YOU'LL HEAR OUR OPERA SINGERS ON MICROPHONES

You would think opera singers would be the loudest talkers ever. I mean, their singing voice can powerfully carry through a huge theater. But, no. Maybe they just save their voices for all the singing, but they can be some soft talkers.

Fortunately, we have learned to provide a mic at our Meet the Cast events. What did we learn about our singers last night?

In addition to raising chickens, Scott likes to totally disconnect for two weeks each year--and take off on his motorcycle.


Both Tomer (on the left) and Nili (standing) were born in Israel, though Nili doesn't have an accent because she was raised partly in America. She admits to being a politics nerd--if she wasn't an opera singer, she'd probably pursue international relations and Middle East policy.


Jordan discussed the challenge of life of the road--for him it's being away from his wife, who is also an opera singer. But technology makes keeping in touch a lot easier; he says he is on Skype everyday with her.

Technology can help singers in other ways, too. It's become way easier to record oneself, and Nili noted that if she really needed to, she could Skype a lesson with her voice teacher.
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THE MADNESS BEGINS

Rehearsals for Lucia di Lammermoor have begun! Here's a few of the peeps I will be hanging out with for the next few weeks, as they prepare for the stage:


Don't let the smile fool you--Jordan Shanahan plays the bad guy in this opera.


Here's our Edgardo--tenor Scott Piper. If he appears to know how to handle a chicken, ahem, it's because he owns a chicken farm! In addition to singing, he raises Araucana chickens for their eggs, which happen to be blue-green. (Told you chickens and opera were a natural match.)



Director Tomer Zvulun has directed in Cleveland before--our La boheme in 2008. But that was before my time, so does it count? He likes to hang around cemeteries in his spare time.


Kristopher Irmiter has also performed in Cleveland before--in the aforementioned La boheme as well as Tosca. He's all about me. (Who ISN'T, Kris? Who isn't?)

I neglected to get any pix with Nili Riemer (Lucia); Nicole Birkland (Alisa); Philippe Pierce (Normanno); and Timothy Culver (Arturo). But don't worry--they will surely get their chance to hang with me.
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OPERA,, LITERALLY

Opera...Literature...some of the finer things in life. (And by finer, I mean "good," not snootier.) We get to combine the two often at Opera Cleveland. For instance, our Meet the Cast events are held at Joseph-Beth Booksellers in Legacy Village.

And, we just happen to have a Meet the Cast event coming up--Wednesday, April 28 at 7:30 pm. Not only can you enjoy learning about our singers (boxers or briefs?...j/k) for FREE, you can take 20% off your bookstore purchases that night from 4-9 pm. Click here for a coupon. The coupon is also good for 10% off your meal at Bronte Bistro.

(Our Meet the Cast event from Don Giovanni)

But, wait...THAT'S NOT ALL! We're mixing literature with another one of my favorite things: wine. On Wednesday, May 27, there's "For the Love of Music: Wine in the Courtyard." This casual wine tasting takes place in the courtyard of Visible Voice Books in Tremont. For $20, you'll support the music and community outreach programs of Opera Cleveland--and enjoy wine, appetizers and music.

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LUCIA, MINI-ME STYLE

It's rare that I get to do a big reveal on this here blog, but today...today is different. (And not because it's 4/20.) It happens to be exactly one month from opening night of Lucia di Lammermoor, and I get to share some of our set designs with you.

As you may recall from prior blogs, we bought a Macbeth set from Lyric Opera of Kansas City. It was a set that they were done with and ready to trash for space in their warehouse, but our set designer Erhard Rom (who designed the Macbeth set, natch) saw its potential.

Erhard, Director Tomer Zvulun, along with Dean and Lighting Designer Robert Wierzel have been conspiring for about a year on the design.

When creating a new production, as this one is, the designer usually creates a miniature-scale version of the set.

Here, Lucia meets her love Edgardo in secret. (Smooch, smooch, smooch.)



This scene shows Enrico's study--with a ginormous photo of his and Lucia's mother lording over the space.


In this great hall scene, Lucia is forced into a marriage arranged by her brother Enrico. But she loves Edgardo! Enrico says pshaw to that. (Actually, he says he will kill him.)

What you can't really tell in these photos is the awesome projections we'll be using on the set. (In the scene above, for instance, the hall will appear to be huge--something we couldn't do in reality. The stage is only so big, yo.)

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DEAR BLOG

I miss you. I hope we can be together soon.

Lurve,
Carl

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A CHORUS LINE

I'm a 9-5 kind of chicken. (And it's always 5 o'clock somewhere.) So I'm often not around when our chorus rehearses for a production, which is typically in the evenings. Thus, they are derived of the pleasure of my company and I of theirs. 'Tis a shame.

Because they rock. (In operatic fashion, of course.)

So I'm excited they have a performance of their own coming up. On Wednesday, April 14 at 7 pm, the Opera Cleveland Chorus is performing a 20-minute set at the Cleveland Museum of Art, in celebration of the reopening of Gartner Auditorium. And it's FREE!

So get thee there--and catch some of these peeps:

Being in the Opera Cleveland Chorus is all glitter and Maypoles.

I had the distinct honor of directing the chorus at one rehearsal.
(Or rather they had the distinct honor of being directed by me.)

Fetch me a beer, wench(es)!

PIMP MY PEEP

Finally, someone brought me a new Peep. Sure, I have Giacomo here, but--what do they say?--make new friends and keep the old.

This Peep is pimped out--with a suit of chocolate armor.


Yeah, the chocolate kinda obscures any features, but we'll take his company anyway.

Everyone... meet Wolfgang.
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